Megan McArdle, Columnist

'Dunkirk' and the Great Films That Won't Be Made

Studios' big productions are so expensive that they are rarely risky. Or interesting.

In the blockbuster business.

Photographer: Tristan Fewings/Getty Images
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I was perhaps unreasonably excited to see "Dunkirk," Christopher Nolan’s new movie about the evacuation of British forces from a French beach during World War II. The historical event on which it is based is astonishing: unable to get enough warships close to the beach to load their fleeing troops, the British government mobilized a flotilla of small private craft, which ultimately helped evacuate more than 330,000 soldiers ahead of the German army. I was eager to see what one of my favorite directors would do with the story.

He did not disappoint. This nearly flawless film put me on the edge of my seat for two hours. It is the best thing I’ve seen about war since the stunning opening of "Saving Private Ryan" -- and Nolan, bless him, is not prey to Steven Spielberg’s compulsion to mar his creations by slopping them over with speechy goo.