Designing Awareness of Darfur
Leslie Thomas, partner with the Chicago-based firms Larc Inc. and Larc Studio, wasn’t one to jump on causes and preach about them. However, when the architect, mother, and Emmy-winning art director (for art direction of the 1999 HBO movie Introducing Dorothy Dandridge) saw a photo of a victimized child in a March 2006 New York Times article about the genocide in Darfur, she was changed. “I was holding my child, and I just thought, ‘I have to do something about this.’ ” she says. After investigating the crisis in Darfur, where more than 300,000 people have been killed or injured by Sudanese government forces and militia groups since 2003, she sent an e-mail to everyone she knew. “I actually got some nice replies, and it made me think people might be interested in learning more about what was happening and what could be done about it,” she says. Because Thomas had been so grabbed by a photograph, she thought other people would too. She spoke with a documentary filmmaker friend about the possibility of creating some sort of photographic installation, and after receiving positive feedback from the photographer who had taken the photo that initially spurred her call to action, Darfur/Darfur began to take shape. “The crisis was really only being presented on university campuses and in Times articles by Nicholas Kristof. I thought about how a strong message could go out to people using beautiful imagery in a museum setting.” As an architect, Thomas knew the value of creating powerful environments. By getting museums involved, she knew she could work with their own architecture to present the photos in such a way that viewers would be both intrigued and enraged.
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