Facebook’s Precursor, $15 Million Southampton Mansion: Hot Art

In the late 1950s, New York artist Ray Johnson started mailing flyers and letters to friends and acquaintances. Most ended with an instruction to add something and send the whole thing on to someone else.

Soon a large network of people who exchanged art and ideas through the postal system was born -- decades before Facebook or the Internet. Dubbed the New York Correspondence School, it continued to grow even after its founder’s suicide in 1995.

Johnson’s influence on younger artists is the subject of “Ray’s a Laugh,” a new show at Half Gallery on the Lower East Side of Manhattan. Artist and actor Leo Fitzpatrick paired several fantastic Johnson collages, lent by Richard L. Feigen & Co. gallery on the Upper East Side, with pieces by his friends, including fashionable 30-somethings Dan Colen, Nate Lowman and Josh Smith.

Eight ink-stained dollar bills on canvas by Hanna Liden echo Johnson’s small collage featuring a single dollar bill and the inscription “Dear Pablo Picasso.” Dash Snow’s naughty hatchling, made of sea shells and adorned with a cigarette butt, plays off Johnson’s collage featuring a cherub and a queen.

Prices range from $500 to $36,000. The show runs through Sept. 7 at 208 Forsyth St.; http://halfgallery.com.

Photographer: Jason Mandella/James Fuentes Gallery via Bloomberg

"Untitled (Monster Face Bather)" (2011) by Ella Kruglyanskaya is on view at James Fuentes Gallery. Close

"Untitled (Monster Face Bather)" (2011) by Ella Kruglyanskaya is on view at James Fuentes Gallery.

Close
Open
Photographer: Jason Mandella/James Fuentes Gallery via Bloomberg

"Untitled (Monster Face Bather)" (2011) by Ella Kruglyanskaya is on view at James Fuentes Gallery.

Bathers, Athletes

Ella Kruglyanskaya’s painting “Lobster Picnic” depicts a large red crustacean flanked by two plump women. The canvas is part of a two-person show at James Fuentes gallery.

Placed at the center of a colorful blanket, the sea creature looks less like food and more like the star of the composition. So does a clownish monster with a big red mouth and long turquoise nose, peering from another canvas. It takes a minute to realize that it’s a bathing-suit design on a female torso, framed by ample cleavage and sun-tanned thighs.

Benjamin Senior’s lithe joggers and swimmers create a fine counterpoint to Kruglyanskaya’s languid bathers. Tersely painted, the figures form geometric patterns with their matching outfits and identical poses. Rich in blue and violet, they have stripes everywhere from sneakers to swimming-pool lane ropes.

Prices range from $3,000 to $15,000. The show runs through Aug. 5 at 55 Delancey St.; +1-212-577-1201; http://www.jamesfuentes.com.

Sotheby’s Mansions

A highlight of the exhibition “Places” is tucked away in the basement of Stephan Stoyanov Gallery. The two halves of Diana Shpungin’s 26-minute video were filmed at exactly the same moment on opposite sides of the globe. The artist traveled to China to shoot sunrise over the South China Sea. Her husband captured dusk over the Atlantic Ocean in Miami Beach, Florida. Played side-by-side on two screens, the footage is a romantic communication between two lovers.

Source: James Fuentes Gallery via Bloomberg

"Tilt" (2011) by Benjamin Senior, part of a two-person show at James Fuentes Gallery. Close

"Tilt" (2011) by Benjamin Senior, part of a two-person show at James Fuentes Gallery.

Close
Open
Source: James Fuentes Gallery via Bloomberg

"Tilt" (2011) by Benjamin Senior, part of a two-person show at James Fuentes Gallery.

Construction and destruction co-exist in Cliff Evans’s digital video, “Camping at Home.” He mixes images of diggers and pipelines that mutilate the Earth with pictures of new Tyvek-wrapped houses rising from the wreckage.

Patricia Cronin’s tiny, ironic canvases depict luxurious listings by Sotheby’s International Realty, their asking prices doubling as the titles: “$15,000,000 (Southampton)” and “$2,300,000 (Emerald Isle on Money Key).”

Prices range from $2,000 to $20,000. The show runs through Aug. 12 at 29 Orchard St.; +1-212-343-4240; http://www.stephanstoyanovgallery.com.

Black Canvases

In “New Black,” Alex Markwith’s first solo show at Nicelle Beauchene Gallery, the 22-year-old artist turns junk into art.

His 12 raw assemblages are made from found wood, rusty metal, torn fabrics, nails, twine and a slashed rubber tire. One features a metal chain and black leather. A white wooden plank sticks out from the side of another quilted canvas. The pieces evoke S&M, punk rock, Rauschenberg and Arte Povera.

"Untitled (The Queen's Fingernails)" (1974), a collage on illustration board by Ray Johnson. Johnson invented "mail art" by sending letters and flyers to friends and acquaintances around the world. His influence on younger artists is the subject of "Ray's a Laugh,'' a new exhibition at Half Gallery in Manhattan. Dource: Richard L. Feigen & Co via Bloomberg Close

"Untitled (The Queen's Fingernails)" (1974), a collage on illustration board by Ray... Read More

Close
Open

"Untitled (The Queen's Fingernails)" (1974), a collage on illustration board by Ray Johnson. Johnson invented "mail art" by sending letters and flyers to friends and acquaintances around the world. His influence on younger artists is the subject of "Ray's a Laugh,'' a new exhibition at Half Gallery in Manhattan. Dource: Richard L. Feigen & Co via Bloomberg

Prices range from $1,500 to $3,500. “New Black” runs through Aug. 5 at 21 Orchard St.; +1-212-375-8043; http://www.nicellebeauchene.com.

(Katya Kazakina is a reporter for Muse, the arts and leisure section of Bloomberg News. The opinions expressed are her own.)

To contact the reporter of this story: Katya Kazakina in New York at kkazakina@bloomberg.net.

To contact the editor responsible for this story: Manuela Hoelterhoff at mhoelterhoff@bloomberg.net.

Press spacebar to pause and continue. Press esc to stop.

Bloomberg reserves the right to remove comments but is under no obligation to do so, or to explain individual moderation decisions.

Please enable JavaScript to view the comments powered by Disqus.