Warwick Thompson
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James Earl Jones and Vanessa Redgrave are playing the frolicsome young lovers Benedick and Beatrice -- at the ages of 82 and 76 respectively.
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The recent surge in the number of plays by women in London is good news for the theater.
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London theater’s fall season arrives with new surprises.
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Frail opera goers in New York gird yourselves and medicate.
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Not many people have heard, or even heard of, Verdi’s opera “Giovanna d’Arco” (Joan of Arc). With a little help from Anna Netrebko and Placido Domingo, that’s sure to change.
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England’s oldest working theater presents the newest classical music festival. It’s a winning combination.
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Opera productions are often updated. Backdating, now that’s a different matter.
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It ran on Broadway for more than two years, and had three major American tours. Now, for its U.K. debut, “The Color Purple” is trimmed to fit the plucky 180-seat Menier Chocolate Factory near London Bridge.
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An unusual bequest of red-colored records changed Cori Ellison’s life at the age of seven.
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Diana, goddess of chastity, lives in the icebox of a fridge. She’s dwarfed by huge cellophane-wrapped sausages and giant broccoli spears. It’s not what Rameau had in mind for his 1733 opera “Hyppolite et Aricie.”
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“They’re singing again. That’s never a good sign,” says Mrs. Teavee in the new London musical “Charlie and the Chocolate Factory.”













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