Martin Gayford
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The first sight that greets the visitor to the new Serpentine Sackler Gallery is a life-sized sculpture of an elephant’s posterior.
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Although Australia is enormous, a whole continent in itself, the history of its art is not as vast as that of, say, Africa or the Americas.
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This is becoming a habit, or at least an annual event. Another year, and once more I find myself hanging in the National Portrait Gallery.
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David Dawson rose to fame as the world’s most prominent artist’s assistant. He saw Lucian Freud virtually every day for two decades.
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Somehow, short though his existence was, there always seems to be more to discover about the life and art of Vincent van Gogh (1853-1890). The past week has brought two revelations about the hot and feverishly busy summer of 1888, during which Vincent created some of his greatest work.
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The Royal Academy of Arts in London has gathered a star-studded cast for its exhibition “Mexico: A Revolution in Art 1910-1940.”
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When Shakespeare wrote that music is “the food of love,” he made a good point.
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The outsiders are heading inside -- at least in the art world.
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There is something extremely British about marking the beginning of an era with a political sex scandal.
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Gary Hume once told me that he was a caveman -- stuck in his cavern, attempting to paint the world outside. It was a neat way of saying that the problems of painting haven’t really changed much in 40,000 years.
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The sun never shines in the paintings of L.S. Lowry.
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A dark tank of water sits in the Chilean Pavilion at the Venice Biennale.













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