Greg Evans
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Scraping the bottom of Hasbro’s toy box, Universal Pictures and director Peter Berg assemble “Battleship,” a movie as brainless as summer blockbusters get.
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Master of the quip, maker of careers, mean drunk, frequent philanderer and TV legend: Heeeere’s Johnny.
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New York’s most prolific theater producer gets his curtain call in “Joe Papp in Five Acts,” a documentary that captures a genius in all his prickly brilliance.
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In 1966, a black waiter in a whites-only Mississippi restaurant shared his heartbreak with the nation.
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Early in “Money, Power and Wall Street,” a two-night, four-hour investigation by “Frontline” into the 2008 financial crisis, former JPMorgan Chase & Co.’s investment bank Co-Chief Executive Officer Bill Winters recalls a 1994 staff retreat in Boca Raton, Florida.
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“I think I might be the voice of my generation,” says Hannah, the heart and soul of HBO’s exceptional new comedy “Girls.”
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Starz’s “Magic City,” set in a gorgeous Miami Beach hotel in 1959, looks as cool as a pair of Ray-Bans.
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The night is dark and full of terror, intones a heretic priestess on “Game of Thrones.”
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Spoiler alert: “Mad Men” is looking brighter this year.
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Becca Winstone, the skinny-jeaned heroine played by Ashley Judd on ABC’s new thriller series “Missing,” is a PTA-going suburban widow who arranges flowers for a living.
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Early in HBO’s political docudrama “Game Change,” a note-taking Sarah Palin, running for vice president of the United States, gets a crash course in geopolitics.
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NBC’s new crime drama “Awake” doubled its chances for intrigue by offering two parallel storylines per episode -- one’s a dream, one isn’t -- and still is only half compelling.













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