CHICAGOLAND, DEATH ROW STORIES, and MORGAN SPURLOCK: INSIDE MAN Captured on Canon Cinema EOS Digital Cameras and Lenses

  CHICAGOLAND, DEATH ROW STORIES, and MORGAN SPURLOCK: INSIDE MAN Captured on
  Canon Cinema EOS Digital Cameras and Lenses

Business Wire

MELVILLE, N.Y. -- May 14, 2014

Canon U.S.A. Inc., a leader in digital imaging solutions, is proud to announce
that three shows that premiered in spring 2014 chose Canon Cinema EOS Digital
cameras and lenses to capture their compelling stories. The three series,
airing on CNN/U.S., include CHICAGOLAND, from Executive Producers (EP) Robert
Redford and Laura Michalchyshyn and the award-winning Brick City Television,
LLC (BCTV) filmmaking team Marc Levin and Mark Benjamin, DEATH ROW STORIES,
from Academy Award-winning Executive Producers Alex Gibney and Robert Redford,
and MORGAN SPURLOCK: INSIDE MAN, from Oscar-nominated filmmaker Morgan
Spurlock. These television series were developed in 2013 to produce
unscripted, informative, and entertaining non-fiction programming for the
cable television news channel. Each turned to Canon when making their eight,
one-hour long episodes.

“Canon is honored to be the camera of choice for these three television
series,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “Our Cinema EOS
Digital cameras have been designed for use in productions just like these and
to be chosen for three docu-series on one network is quite humbling.”

CHICAGOLAND

When cinematographer Daniel B. Levin was preparing for CHICAGOLAND – a series
that tells the story of its namesake city as it confronts an education system
in turmoil and public safety crisis – he turned to the Canon EOS C300 Digital
Cinema camera in order to fulfill his need for a rugged, ergonomic, compact
camera, that would produce a cinematic image to meet the high standards of the
production team. “We wanted to weave beauty, texture, and the city in with
doc-verite, real, gritty, run-and-gun filmmaking,” said Levin. “The remarkable
thing about the C300 camera is you can build it as big as you want, or strip
it down as small as you want.”

The flexibility of the Canon EOS C300 Digital Cinema camera system made it
possible for Levin to follow Chicago’s policymakers, community leaders, and
residents through the various elements and public locations like Mayor Rahm
Emanuel’s office at City Hall as his team works to improve the metropolis’
social policy, education, and public safety.

To keep his rig light and his focus sharp, Levin paired the Canon EOS C300
Digital Cinema camera with a set of Canon EF L-series lenses, including the EF
24-105mm f/4L IS USM, EF 50mm f/1.2L USM, and the EF 70-200mm f/2.8L IS II
USM. “If you have these lenses – which could all fit in a backpack – you’re
basically good to do anything,” concluded Levin.

Airing on eight successive Thursday evenings, CHICAGOLAND began March 6, 2014
at 10:00pm ET/PT.

DEATH ROW STORIES

Academy Award®-winning directorsAlex Gibneyand Robert Redfordteamed up to
createDEATH ROW STORIES, a series that unravels a different capital murder
case per episode, calling into question the myriad of beliefs about the death
penalty and the American justice system. Directed by Gibney, narrated by
Academy Award-winning actressSusan Sarandon, and executive produced by
Sundance Productions’ Robert Redford andLaura Michalchyshyn,and Jigsaw
Productions’ Alex Gibney,Dave Snyder, Stacey Offman,andBrad Hebert, DEATH
ROW STORIES relies on powerful interviews and chilling recreations to explore
the issues surrounding capital punishment.

Cinematographer Antonio Rossi chose the Canon EOS C500 4K Digital Cinema
camera and the EOS 5D Mark III Digital SLR camera to capture the look he
wanted for the series. “We are dealing with extremely dramatic, life and death
subject matter, and I try to express that drama in my camera work. So we try
to make our interviews noir-ish and saturated, while conveying the gravity of
the events portrayed. The EOS C500 camera beautifully allowed me to achieve
the look I desired,” said Rossi.

To balance a high-quality picture with a simple workflow, Rossi chose to
record a 1920 x 1080 HD image from the EOS C500 camera to a Sound Devices PIX
240i portable video recorder. He relied on an EOS 5D Mark III as his second
camera and mounted Canon Cinema lenses and EF lenses interchangeably between
the two. Using a Canon Cinema CN-E30-105mm T2.8 L S lens for all interview
segments, his lens package also included an EF 100mm f/2.8 Macro USM, Cinema
Primes CN-E24mm T1.5 L F, CN-E50mm T1.3 L F, and CN-E85mm T1.3 F L, as well as
L-series EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L II USM, EF 24-105mm f/4L
IS USM, and EF 70-200mm f/2.8L IS II USM lenses.

Rossi sums up his experience using Canon on DEATH ROW STORIES by noting, “The
EOS C500 and the EOS 5D [Mark III] cameras work really well together as a
system. And, you have the ability to use a range of lenses and shoot in a lot
of different kinds of situations.”

The first episode ofDEATH ROW STORIESdebuted on Sunday, March 9, 2014 at
9:00pm ET/PT. A summer season will air beginning Sunday, July 13, 2014.

MORGAN SPURLOCK: INSIDE MAN

CNN’s popular original series MORGAN SPURLOCK: INSIDE MAN and its charismatic
producer, director, and host will return to the airwaves this spring for a
second season. The show, which clocked in as the network’s third most-watched
program in 2013, explores topical subjects as Spurlock immerses himself in the
issue at hand to provide a personal perspective. “Celebrity,” “The Future,”
and “Income Disparity” are just a few of the themes MORGAN SPURLOCK: INSIDE
MAN will tackle during its sophomore season. And while the topics of the show
are varied, the producers’ emphasis on image quality is unchanging.

“We want the show to feel cinematic, large in scope, but at the same time,
want it to feel real,” said Jeremy Chilnick, Executive Producer of the series
and Head of Production at Spurlock’s Warrior Poets production company. “The
authenticity of what you hope your audience feels is as important as making
sure that it looks beautiful.”

In order to deliver the aesthetic and realism required for the show,
cinematographer David Vlasits relied on the Canon EOS C300 Digital Cinema
camera, as well as two Canon EOS 5D Mark III Digital SLR cameras, for both
seasons one and two. While the EOS 5D Mark III Digital SLR served as his go-to
camera for interior car shots, Vlasits chose the Canon EOS C300 Digital Cinema
camera for day-to-day production because of its low-light capabilities, small
profile, dual CF card slots, and long battery life.

The camera’s ergonomics were also a major benefit to Vlasits. “From an
operating standpoint, I want a form factor that's comfortable and balanced on
my shoulder that can just as easily be put placed on a tripod when needed,”
Vlasits said.

Season two of MORGAN SPURLOCK: INSIDE MAN premiered on Sunday, April 13, 2014
at 10:00pm ET/PT.

Daniel B. Levin, Antonio Rossi, David Vlasits, and Jeremy Chilnick discussed
the lengths they go to capture their compelling stories and why they rely on
Canon Cinema EOS systems at the “Canon Spotlight: CNN Original Series” panel
at the 2014 Sundance Film Festival. These testimonials, along with additional
behind-the-scenes videos can be found at the Canon Professional’s Vimeo page
at https://vimeo.com/canonpro.

For more information about Canon Cinema EOS cameras and lenses, please visit
the Canon U.S.A. website at http://cinemaeos.usa.canon.com/

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business,
and industrial digital imaging solutions. With approximately $36 billion in
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†Based on weekly patent counts issued by United States Patent and Trademark
Office.

All referenced product names, and other marks, are trademarks of their
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Availability and specifications of all products are subject to change without
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Contact:

Editorial Contacts:
Ashley Dickerson
Canon U.S.A., Inc.
(631) 330-4286
adickerson@cusa.canon.com
or
Lauren Asher
Sunshine Sachs
(323) 822-9300
asher@sunshinesachs.com
or
Canon U.S.A. Web site:
www.usa.canon.com
or
For sales information/customer support:
1-800-OK-CANON
 
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