The Panasonic LUMIX GH4 DSLM (Digital Single Lens Mirrorless) Camera is the World's First* DSLM with 4K Video Recording

 The Panasonic LUMIX GH4 DSLM (Digital Single Lens Mirrorless) Camera is the
            World's First* DSLM with 4K Video Recording Capability

Designed To Meet Professional Needs for Both Still and Video Capture

*For a digital single lens mirrorless camera as of February 7, 2014.

PR Newswire

NEWARK, N.J., Feb. 6, 2014

NEWARK, N.J., Feb. 6, 2014 /PRNewswire/ --Panasonic is proud to introduce the
ultimate still/video Digital Single Lens Mirrorless (DSLM) camera for both
photographers and cinematographers alike. The Panasonic LUMIX DMC-GH4 (GH4) is
the world's first DSLM with 4K cinematic recording capability. The image
quality for both still and video is dramatically improved by Panasonic's
cutting-edge technologies.

(Photo: http://photos.prnewswire.com/prnh/20140206/NY60966 )

The newly developed 16.05-megapixel Digital Live MOS Sensor for the GH4 excels
both in sensitivity and response and suppresses rolling shutter effect even
when using the electronic shutter. The Venus Engine image processor has been
newly developed dramatically boosting its performance with a new quad-core CPU
that allows high speed signal processing that is required for rich 4K video
recording. Integrating superior noise reduction systems, the GH4 enables
shooting at maximum ISO 25,600. Sensitivity, gradation performance, resolution
and color reproduction are dramatically improved to achieve even higher
picture quality. The GH4 boasts high speed burst shooting at 12 frames per
second (AFS) up to approx.40 (including RAW) / approx.100 (excluding RAW) and
7.0 fps(AFC) to capture fast moving subjects.

The new GH4 has evolved into a professional video camera. One of the most
prominent advances is unlimited 4K video recording (Cinema 4K: 4096x2160 / 24
fps and QFHD 4K: 3840x2160 / up to 30 fps) in MOV/MP4*^2. The GH4 is also
capable of recording Full-HD video with ultra high bit rate at 200 Mbps
(ALL-Intra) or 100 Mbps (IPB) without recording time limit*^2. Users can
freely choose the format from MOV, MP4, AVCHD Progressive and AVCHD at a
variety of frame rates according to the usage. For professionals working
globally, the system frequency can be easily selected between 59.94Hz
(23.98Hz) / 50.00Hz / 24.00Hz. The GH4 is also capable of real-time image
output to an external monitor via an optional micro HDMI cable simultaneously
while recording video. For more unique video expression, VFR(Variable Frame
Rate) or Time Lapse/Stop Motion Animation can be produced with GH4 without
postproduction processing. In addition, a variety of practical functions
required for professional video recording are newly integrated.

The high-precision Contrast AF system in the GH4 is further enhanced by
Panasonic's integration of DFD (Depth from Defocus) technology which shortens
the time to focus to achieve ultra high speed AF of approx.0.07 sec*^3. Not
only speed but also the operability is enhanced thanks to the addition of Face
/ Eye Detection AF or 49-point AF with Custom Multi AF mode.

The GH4 boasts newly developed high-precision, high-speed dual OLED (Organic
Light-Emitting Diode) displays of 2,359K-dot LVF (Live View Finder) and
1,036K-dot rear monitor. Both the LVF and rear monitor adopt an OLED to
achieve high speed response with minimum time lag while enhancing the
resolution. Notably, the OLED for the LVF in GH4 boasts 10,000:1 high contrast
for superior color reproduction.

To be tough enough to withstand heavy field use, the main structure of the GH4
is composed of a magnesium alloy full die cast front/rear frame. It also
features splash / dustproof construction by sealing every joint, dial, and
button. The shutter unit allows a max. 1/8000 shutter release and is also
redesigned to be even more durable for approx. 200,000 actuations.*^4

*^2 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when
using high bit rate video recording mode over 100 Mbps.
*^3 In AFS, With LUMIX G VARIO 14-140mm / F3.5-5.6 ASPH. / POWER O.I.S. or
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S.
*^4 Panasonic in-house testing.

1. The World's First Digital Single Lens Mirrorless (DSLM) Camera Recording
High Quality Video in 4K – To Meet Professional Quality and Standards
One of the most prominent advances is unlimited*^1 4K video recording (Cinema
4K: 4096x2160 / 24 fps and QFHD 4K: 3840x2160 / up to 30 fps) in MOV/MP4*^2.
The GH4 is also capable of Full-HD video with ultra high bit rate at 200 Mbps
(ALL-Intra) or 100 Mbps (IPB), which does not have limit of recording time.
Users can freely choose the format from MOV, MP4, AVCHD Progressive and AVCHD
at a variety of frame rates according to the usage [Figure #1]. In MP4 / MOV,
high quality sound in LPCM (Linear Pulse Code Modulation) is recordable.

The GH4 is also capable of real-time image output to an external monitor in
4:2:2 / 8-bit*^3 via an optional micro HDMI cable simultaneously while
recording video. Even 4:2:2 / 10-bit is available which is suitable for the
professional requiring serious monitoring of the footage. Users can choose to
output only the recording content or the content with the menus individually
depending on a display.

Plus, the VFR (Variable Frame Rate) enables recording video with slow/fast
motion such as 96 fps, 4x, all in Full-HD [Figure#2]*^4. Time Lapse / Stop
Motion Animation video can be produced in camera, too.

For more precise control over video image quality, the GH4 integrates Zebra
Pattern to prevent white wash-out and Focus Peaking to aid with manual
focusing. The GH4 even offers a Master Pedestal Adjustment with 15 steps.
Gamma presets exclusively for video recording are now available in Creative
Video mode - "CINELIKE D" and "CINELIKE V" for rich video expression. Synchro
Scan mode is also newly available to reduce and suppress flicker. It is
possible to display a Center Marker while recording.

The GH4 is equipped with functions that meet global standard for synchronous
video recording. A 1KHz Test Tone and Color Bars (SMPTE / EBU / ARIB Standard)
are available on the GH4. The camera also embeds SMPTE-compliant Time Code
either in Rec Run or Free Run count-up methods, which makes it easy to
synchronize the multiple video footage or sound source in the post production
workflow. Time Code Value can be started at any point of [Reset], [Manual
Input] and [Current Time]. Drop frame or Non Drop Frame time code is
selectable*^5. When recording the video in MOV, AVCHD Progressive, AVCHD or
MP4 (LPCM), the GH4 automatically generates multiple seamless files for
continuous recording. During playback, the AVCHD Progressive / AVCHD files are
reproduced with seamless, interruption-free continuity.

A total of 22 LUMIX G digital interchangeable lenses offer any creative
perspective according to the scene, including HD lenses allowing silent, high
performance AF control suitable for video recording.

*^2 Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when
using high bitrate video recording mode over 100 Mbps.
*^3 Setting the HDMI output picture quality
[4:2:2 10bit]:You can output the image through the HDMI connection in higher
picture quality, but you cannot record it as a motion picture or still
pictures. Ideal when the HDMI output is to be saved on external devices.
[4:2:2 8bit]:You can record the image while outputting it through the HDMI
connection. Ideal for recording while checking the motion picture on an
external monitor. When using 4:2:2 / 8-bit output, video is recorded in 4:2:0
/ 8-bit on SDXC/SDHC Memory Card.
*^4 In 24p playback. Effect value varies depending on the recording format and
frequency.
*^5 When system frequency [59.94Hz] is selected

2. The Newly Developed 16.05-Megapixel Digital Live MOS Sensor and Venus
Engine Achieving High Speed, High Sensitivity Image Recording
Panasonic developed a new 16.05-megapixel Digital Live MOS Sensor for the GH4
that achieves high quality, high sensitivity image recording with quick
response. Approx. 50% higher speed signal readout suppresses rolling shutter
effect even when using an electronic shutter or recording video. Taking full
advantage of the Live MOS Sensor, dynamic range is expanded by max.1/3 stop at
low ISO sensitivity.

The Venus Engine image processor is newly developed boosting its performance
with a quad-core CPU that lets high speed signal processing required for rich
video recording such as 4K. The advanced Multi-process NR (Noise Reduction)
applies effective noise reduction and edge processing according to each
component frequency. Plus, a newly added Random Filter granulates chromatic
noise to be blended into the image even more naturally. As a result, a max.
ISO 25,600 has been achieved. On the other hand, optimizing the combination
design of new sensor, new imaging engine and low pass filter enhances the
limit resolution by more than 5% while suppressing moire. A newly adopted
aperture filter is capable of controlling over a wider frequency range. It
adjusts the amount of sharpness according to the frequency level, resulting in
faithful stereoscopic effect. The Venus Engine also improves color
reproduction with accurate evaluation of each color even if it is similar not
only in color phase but also in saturation and luminosity.

3.  High Speed Response Required for Professionals and Practical AF Options
All LUMIX G cameras use the Contrast AF for its focusing system. Compared with
the Phase difference system AF, the Contrast AF boasts higher accuracy
especially in shooting with a bright lens with a small F value. With a LUMIX G
digital interchangeable lens capable of digital signal exchange at max. 240
fps, the focusing is stunningly quick and smooth. The Contrast AF system in
the GH4 is further enhanced by Panasonic's integration of DFD (Depth from
Defocus) technology which even shortens the time to set focus. It calculates
the distance to the subject by evaluating 2 images with different sharpness
level while consulting the data of optical characteristics of the current
lens. As a result, the GH4 achieves ultra high speed AF of approx.0.07 sec*.
This improvement benefits more as focusing distance increases. The burst speed
of shooting is dramatically faster than its predecessor, the DMC-GH3, boasting
high speed burst shooting at 12 fps (AFS) up to approx.40 (including RAW) /
approx.100 (excluding RAW) and 7.0 fps (AFC) to capture fast moving subjects
in-focus.

In addition, the stability of continuous focusing is improved by minimizing
wobbling in both still and video recording. Together with the quick start-up
and short release time lag, the GH4 never lets photographers miss fleeting
shooting opportunities.

The GH4 incorporates Eye Detection AF which automatically sets focus right on
the eye of human face. Focus point is increased from 23 (GH3) to 49 points for
more flexible composition together with Custom Multi mode in which users can
freely select the blocks needed to focus out of the 49 points. Now the 1-area
AF area can be seamlessly magnified not only in manual but also in auto focus
mode. Tracking AF is also advanced in the point of tracking accuracy by
estimating the subject's movement. Focus point can be set on any part of the
100% field of view. The time to show magnified image can be selectable in
Pin-point AF. Focus point can be magnified either with the MF ring or with
cursor key in MF Assist mode. In the Touch Pad AF, the position can be set
either on absolute/relative coordinate. Together with the Eye Sensor AF which
starts focusing by just looking into the viewfinder, the AF/AE lock button
works for AF for quick auto focusing even when using the LVF.

* ^ In AFS, With LUMIX G VARIO 14-140mm / F3.5-5.6 ASPH. / POWER O.I.S. or
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S.

4. Stunning Mobility Supported by Mechanical Advancements
The GH4 boasts newly developed high-precision, high-speed dual OLED (Organic
Light-Emitting Diode) displays for LVF (Live View Finder) and rear monitor.
Increasing the resolution of display area to 2,359K-dot, the new 16:9 Wide
Screen LVF boasts approx.1.34x / 0.67x (35mm camera equiv.) magnification and
100% field of view and eye point of approximately 21 mm. Thanks to the newly
designed large eyecup, the visibility of LVF is dramatically improved. The
image output between the LVF and the rear monitor is switched automatically
with the eye sensor on the LVF, which features options of sensitivity - high,
low and off - to reduce false operation during touching on the rear monitor.
The 3.0-inch 1,036K-dot free-angle OLED rear monitor (3:2 aspect) with
wide-viewing angle rotates 180° to the side and tilts 270° up and down offers
approx. 100% of field of view. This rear monitor adopts static touch control
for more smooth operation either in shooting or in playback. Both LVF and rear
monitor adopted OLED to achieve high speed response with a minimum time lag
while enhancing the resolution. Notably, the OLED for the LVF in GH4 boasts
10,000:1 high contrast for superior color reproduction. Now the excellent
visibility comes closer to OVF. On the other hand, live view image can also be
displayed in monochrome through the LVF enabling concentrating on contrast.

Even a moment's waste matters in professional shooting, but it is possible to
make target setting intuitively with the GH4. Three dials are equipped on the
top and back of the camera and the main dial is now comes with a lock
structure. A dedicated button allows direct reach to exposure compensation,
white balance adjustment or ISO setting and max.5 settings can be assigned to
the Fn button. All these external components are designed to be operated
easily without taking eyes off the viewfinder.

Both built-in/external flash can be synchronized with max.1/250 second shutter
speed*^2.

5. Expandability for A Variety of Workflows
Easy Wireless Connectivity via Wi-Fi® / NFC with Smartphones
The GH4 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) with NFC (Near
Field Communication) technology camera to offer a more flexible shooting
experience and instant image sharing with easy operation. With the Panasonic
"Image App", remote shooting of both photo and video* is available by using
the smartphone/tablet as a remote shutter with a monitor. Not only releasing
the shutter, but zooming, focusing and settings of shutter speed, aperture,
andexposure compensation are all controllable with a smartphone / tablet. All
these flexible shooting / browsing / sharing styles are made possible with the
GH4 and the Panasonic's dedicated application software, the Panasonic Image
App for iOS / Android smartphones / tablets. It is also easy to embed geotags
in the image after shooting. For the smartphone/tablet without NFC, the camera
can display a dedicated QR code on its monitor to complete pairing easily by
reading the code.

Output/Input Terminals
The GH4 comes with a variety of connection terminals for more flexible
shooting options. The 3.5mm microphone jack is for high quality audio
recording using an external microphone and the 3.5mm headphone jack which
enables monitoring the audio while shooting video real-time. It is also
capable of real-time image output on an external monitor via an optional HDMI
micro cable simultaneously while recording video. In addition to these, the
GH4 complies with AV outputs (Audio 2ch, Composite), flash sync terminal and
2.5mm jack for remote controller.

For reliable recording of rich video, the GH4 complies with UHS Speed Class 3
(U3) which is the new speed class standard of SD memory card. The UHS Speed
Class 3 (U3) guarantees a constant minimum write speed of 30MB/s to respond to
market needs for 4K video.

Optional Accessories
A GN58 is a powerful External Flash (DMW-FL580L) and is newly added to the
LUMIX G optional accessories which allows high speed charging of approx.1.7
sec. Not only with wireless control but also LED video light function are
available. The Stereo / Shotgun Microphone (DMW-MS2) which enables
stereo/shotgun switch even allows more precise sound recording with selectable
Super Shotgun / Lens Auto / Manual option on GH4.

6. Other Features
Luminance Level Adjustment
Just as the concept of "the ultimate hybrid DSLM camera" identifies, the GH4
supports smooth postproduction for photographers migrating to videography. In
addition to the standard luminance level of 16-235* and 16-255*, GH4 offers
0-255* which is equivalent to photo standard.

*8-bit

Focus Peaking
For more practical control over focusing, the GH4 incorporates Focus Peaking
function that shows the peak of focus in MF and AF+MF mode. Users can see the
peaking of focus while monitoring the subject in live view. It can be set to
HIGH / LOW / OFF and the color can also be changed to blue, white or orange
according to the color of the shooting scene during live view. Users can take
advantage of this function when controlling the camera with a smartphone /
tablet via Wi-Fi in both photo / video recording.

Silent Mode
This mode switches shutter from mechanical to electronic and turns all sound
(AF, operation) off while suppressing the emission of the AF assist lamp and
flash with just a single setting for special shooting occasions.

Highlight/Shadow Control
The Live View function is also advanced digitally making it possible to adjust
highlight / shadow separately with the front/rear dial. Three patterns of
settings can be customized in addition to the three presets.

RAW data development in Camera
The GH4 is capable of developing RAW images in camera. In addition to the
color space setting ( sRGB / Adobe RGB ), the parameter of white balance,
exposure compensation, contrast, highlight/shadow, saturation, noise
reduction, sharpness or hue can be flexibly adjusted while LUMIX's Photo
Style, Intelligent D-range Control, Intelligent Resolution can also be
applied.

Interface Unit (DMW-YAGH)
Panasonic offers anew optional Interface Unit (DMW-YAGH) exclusively for
professional/industrial workflow with GH4 that enables more powerful video
transmission. It complies with Full HD (4:2:2 / 10-bit) offering four parallel
outputs and these can be used for 4K (4:2:2 / 10-bit) output - both with time
code*^1. The XLR input terminals (2ch) are also equipped to connect line or
condenser microphone. When connecting with microphone, volume can be
controlled for L and R separately, which can be monitored LED audio level
display on the back of the unit. The 12V DC IN is highly compliant with
large-capacity industrial battery and continuously supplies the GH4 with
power*^2.

*1 Setting the HDMI output picture quality [4:2:2 / 10bit]
You can output the image through the HDMI connection in higher picture
quality, but you cannot record it as a motion picture or still pictures. Ideal
when the HDMI output is to be saved on external devices. When using
4:2:2/10-bit output, simultaneous video recording on SDXC/SDHC Memory Card in
the camera is not possible.
*^2 HDMI output from the camera is not possible when the camera is mounted on
the Interface Unit.

  oThe "AVCHD" is a high definition (HD) digital video recording / playback
    format jointly established by Panasonic Corporation and Sony Corporation.
  o"AVCHD Progressive", "AVCHD", the "AVCHD Progressive" Logo and the "AVCHD"
    Logo are trademarks of Panasonic Corporation and Sony Corporation.
  oAndroid and Google Play are trademarks or registered trademarks of Google
    Inc.
  oIOS is a trademark or registered trademark of Cisco in the U.S. and other
    countries and is used under license.
  oHDMI, the HDMI Logo, and High-Definition Multimedia Interface are
    trademarks or registered trademarks of HDMI Licensing LLC in the United
    States and other countries.
  oAll other company and product names are trademarks of their respective
    corporations.
  oThis unit is compatible with both SD/SDHC/SDXC Memory Cards. You can only
    use SDHC/SDXC Memory Cards on devices that are compatible with them. You
    cannot use SDHC/SDXC Memory Cards on devices that are only compatible with
    SD Memory Cards. (When using an SDHC/SDXC Memory Card on another device,
    be sure to read the operating instructions for that device.)
  oSDHC Memory Cards and SDXC Memory Cards can be used only in equipment that
    is compatible with their respective formats.
  oIf the computer being used does not support SDXC Memory Cards, a message
    prompting you to format may appear. (Doing so will cause recorded images
    to be erased so do not choose to format.) If the card is not recognized,
    please refer to the below support site.
    http://panasonic.net/avc/sdcard/information/SDXC.html [Open New Window]
  oSome accessories are not available in some countries.
  oThe use of recorded or printed materials that are protected by copyright
    for any purpose other than personal enjoyment is prohibited, as it would
    infringe upon the rights of the copyright holder.
  oDesign and specifications are subject to change without notice.

To learn more about Panasonic's line of LUMIX Digital Cameras and other
consumer electronic products please visit www.shop.panasonic.com.

About Panasonic Consumer Electronics Company
Based in Newark, N.J., Panasonic Consumer Electronics, a Division of Panasonic
Corporation of North America, the principal North American Subsidiary of
Panasonic Corporationand the hub of Panasonic's U.S. marketing, sales,
service and R&D operations, offers a wide-range of consumer solutions in the
U.S. The Company's portfolio of innovative consumer products ranges from VIERA
Full HD 3D Televisions, Blu-ray Disc players, LUMIX Digital Cameras,
Camcorders, Home Audio, Cordless Phones, Home Appliances, Wellness, Personal
Care and Beauty products.



Figure #1 Video Recording Format Matrix
                    [4K] 3840x2160, 29.97p, 100Mbps(IPB), LPCM
                    [4K] 3840x2160, 23.98p, 100Mbps(IPB), LPCM
                    [FHD] 1920x1080, 59.94p,
            59.94Hz 200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [FHD] 1920x1080, 29.97p,
                    200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [FHD] 1920x1080, 23.98p,
                    200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
MOV                 [4K] 3840x2160, 25.00p, 100Mbps(IPB), LPCM
                    [FHD] 1920x1080, 50.00p,
            50.0Hz  200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [FHD] 1920x1080, 25.00p,
                    200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [C4K] 4096x2160, 24.00p, 100Mbps(IPB), LPCM
            24.0Hz  [4K] 3840x2160, 24.00p, 100Mbps(IPB), LPCM
                    [FHD] 1920x1080, 24.00p,
                    200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [4K] 3840x2160, 29.97p, 100Mbps(IPB), LPCM/AAC
                    [4K] 3840x2160, 23.98p, 100Mbps(IPB), LPCM
                    [FHD] 1920x1080, 59.94p,
                    200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [FHD] 1920x1080, 29.97p,
            59.94Hz 200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [FHD] 1920x1080, 23.98p,
                    200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [FHD] 1920x1080, 59.94p, 28Mbps(IPB), AAC
                    [FHD] 1920x1080, 29.97p, 20Mbps(IPB), AAC
                    [HD] 1280x720, 29.97p, 10Mbps(IPB), AAC
                    [VGA] 640x480, 29.97p, 4Mbps(IPB), AAC
MP4                 [4K] 3840x2160, 25.00p, 100Mbps(IPB), LPCM/AAC
                    [FHD] 1920x1080, 50.00p,
                    200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [FHD] 1920x1080, 25.00p,
            50.0Hz  200Mbps(ALL-Intra)/100Mbps(IPB)/50Mbps(IPB), LPCM
                    [FHD] 1920x1080, 50.00p, 28Mbps(IPB), AAC
                    [FHD] 1920x1080, 25.00p, 20Mbps(IPB), AAC
                    [HD] 1280x720, 25.00p, 10Mbps(IPB), AAC
                    [VGA] 640x480, 25.00p, 4Mbps(IPB), AAC
                    [C4K] 4096x2160, 24.00p, 100Mbps(IPB), LPCM
            24.0Hz  [4K] 3840x2160, 24.00p, 100Mbps(IPB), LPCM
                    [FHD] 1920x1080, 24.00p, 200 Mbps (ALL-Intra) / 100 Mbps
                    (IPB) / 50 Mbps (IPB), LPCM
                    [FHD] 1920x1080, 59.94p, 28Mbps(IPB), Dolby Digital
                    [FHD] 1920x1080, 59.94i, 24Mbps(IPB), Dolby Digital
            59.94Hz (sensor output: 29.97fps)
AVCHD               [FHD] 1920x1080, 59.94i, 17Mbps(IPB), Dolby Digital
Progressive         (sensor output: 59.94fps)
                    [FHD] 1920x1080, 23.98p, 24Mbps(IPB), Dolby Digital
AVCHD               [FHD] 1920x1080, 50.00p, 28Mbps(IPB), Dolby Digital
                    [FHD] 1920x1080, 50.00i, 24Mbps(IPB), Dolby Digital
            50.0Hz  (sensor output: 25.00fps)
                    [FHD] 1920x1080, 50.00i, 17Mbps(IPB), Dolby Digital
                    (sensor output: 50.00fps)



Figure #2 VFR (Variable Frame Rate)Matrix
        MOV/FHD/100Mbps/29.97p, MP4(LPCM)/FHD/100Mbps/29.97p:
        2fps, 15fps, 26fps, 28fps, 30fps, 32fps, 34fps, 45fps, 60fps, 75fps,
        90fps, 96fps
        MOV/FHD/100Mbps/23.98p, MP4(LPCM)/FHD/100Mbps/23.98p:
59.94Hz 2fps, 12fps, 20fps, 22fps, 24fps, 26fps, 28fps, 36fps, 48fps, 60fps,
        72fps, 84fps, 96fps
        AVCHD/FHD/24Mbps/29.97p:
        2fps, 15fps, 26fps, 28fps, 30fps, 32fps, 34fps, 45fps, 60fps
        AVCHD/FHD/24Mbps/23.98p:
        2fps, 12fps, 20fps, 22fps, 24fps, 26fps, 28fps, 36fps, 48fps, 60fps
        MOV/FHD/100Mbps/25.00p, MP4(LPCM)/FHD/100Mbps/25.00p:
        2fps, 12fps, 21fps, 23fps, 25fps, 27fps, 30fps, 37fps, 50fps, 62fps,
50.00Hz 75fps, 96fps
        AVCHD/FHD/24Mbps/25.00p:
        2fps, 12fps, 21fps, 23fps, 25fps, 27fps, 30fps, 37fps, 50fps
        MOV/FHD/100Mbps/24.00p, MP4(LPCM)/FHD/100Mbps/24.00p:
24.00Hz 2fps, 12fps, 20fps, 22fps, 24fps, 26fps, 28fps, 36fps, 48fps, 60fps,
        72fps, 84fps, 96fps



SOURCE Panasonic

Website: http://www.panasonic.com
Contact: Dan Unger (Media Relations) 201-392-4571 dan.unger@us.panasonic.com;
Alyssa Hershfield (Cohn & Wolfe) 212-798-9527 alyssa.hershfield@cohnwolfe.com
 
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